Blog Chain: Gender Bender!

Sandra starts our blog chain off this round. She asked:

Have you ever created a character different from yourself in some significant way, such as (but not limited to) different gender, race, ethnic group, religion, or sexual orientation? If so, what, if any, research did you do to portray these differences?

Was this character a main character, secondary character, or walk-on? Did these differences have an impact on the story?

Gotta love these questions!

In my first novel, LEGACY OF THE EMPRESS, one of my two main characters is a dude--Torin. Writing his dialogue and character was very natural about 90% of the time. HOWEVER, there were definitely moments where I'd stare at what I'd just written and think "Something's.... off." These were usually the moments where, unbeknownst to me, I'd made Torin react to a situation like a lady. Poor Torin..

In these scenerios, I turned to my Resident Man Expert, or RME for short (my husband.) I'd force him to read a scene, or even just shout "What would a dude do in 'blank' situation??" Once I found out that instead of crying, a dude would actually punch the ground. Hence the scene feeling .. awkward. Once I had Torin punching stuff dry-eyed everything made a lot more sense, and the other character's reactions felt much more natural. Thank you, RME!

In HOLLOW LAND (the novel I'm currently working on), I have a few east asian characters as well as a Jewish female lead. This is definiely going to require not only a trip or two to the library but also for me to consult with some non-whitey whites. The good thing is, not only am I friendly with several nice Indian folks at work whose brains I can pick, but there is something wonderful we have now, called The Internet. I've started following a few blogs from the countries my characters originate from to get a feel for the culture. I'm hoping I can eventually get some beta readers of the same religion/culture to help me out and make sure I'm not being a dork about some detail or another.

If I had any advice for you guys, it's to be brave :). Don't be afraid to write a certain character just because they are outside your immediate frame of reference. Learning new things is what makes this fun! Go for it, and get excited to learn about other cultures, sexual orientations, and even how the other sexes think.

What do you guys think? Have you ever written outside your comfort zone? How did it turn out?

Don't miss Shannon's answer coming up tomorrow!

Work In Progress Wednesday!

I feel like I haven't done a progress report like this in forever, because I've been revising for ages, and recently, querying :).

I feel like I've learned a ton writing my first novel, Legacy of the Empress, and now that I'm ready to dive back into my second (Hollow Land), I know what to change and what to avoid.

I'm about 5500 words into my novel right now, and I realized, I had a lot of backstory and needed to start with more action. However, to start with action, I needed to fill in some holes in the brief outline I'd created. My husband and I sat down last night and brainstormed like you wouldn't believe. I feel incredibly confident now that I know where the story is headed, and now that I have someone else who thinks my plot is solid, too.

Here are some tips I've picked up from this experience:

1) If you find a plot hole in your outline--PLUG IT. I've learned from experience that it's better to brainstorm various options now then put it off until later and get stuck and have to do a big re-write. Last night, when I came to a sticky spot, my husband and I threw out crazy ideas while I took notes until something stuck. Don't be afraid to experiment :).

2) Get a partner to help with your outline. Get someone you trust and show them your outline, then talk about it step by step. They'll be able to tell you up front if parts of your plot seem wonky, weak, or missing entirely. You can go into your first draft with a boost of confidence that you're at least working with a solid foundation.

3) Take notes! If you have an idea about what feelings you want a scene to evoke or how you want your characters to react to it, note it briefly in your outline. Trust me, this will help later on when you're writing it.

4) Remember that nothing's set in stone. You can change anything you'd like at any time :). An outline isn't a ball and chain, it's a key to freedom! Now, you don't have to be afraid of getting "blocked" because you don't know where you're going, but you're also free to let the story take on a mind of it's own. Use the outline as a tool--don't let it use you!

So, what about you guys? Are there any projects that you're working on? :)

Blog Chain: Meeting Your Characters!

It's blog chain time again!

This round's topic is brought to you by the character-driven Cole who asked:

How do you get inside your character's world?

Apparently, Cole actually stalks her characters, google maps their haunts, etc, to get to know them. This got me thinking about my own process.

How the hell did I first meet my characters?
How did I know what they looked like? How they thought? What their strengths and weaknesses are?

To tell you the truth, I'm not really sure. They just sort of showed up in my brain like strangers knocking on my door. For example, in my head I have a picture of Astrid and a picture of Torin from LEGACY OF THE EMPRESS in mind from the start. I don't know where they came from, but I knew that Astrid was an 18 year old girl with long dark hair and deep blue eyes, and Torin was a 19 year old boy with dark hair that stuck up in weird angles.

This is seriously the first I knew about them, and I had to figure it out from there. It really was like I saw strangers in a cafe, thought they were interesting, and then tried to get to know them from afar. The first thing I do is try to google for images that are close to what I have in my brain. I feel like if I can give my characters a physical form (at least in my own head), I'll be able to hold onto them long enough to figure out what makes them tick.

So, I googled.

For Astrid, I came up with this picture of Kate Beckinsale, only in my head she's younger, and has longer hair. For Torin, a picture of Jake Gyllenhaal was the closest I could find. From there, I spent time with them in my head and felt out how they talked, if they were quiet or loud or shy or obnoxious, and then checked in with them at random intervals throughout the story to see how they would react to different situations. For each scene I thought "what is driving them?" and then basic questions like "what would Torin do? How would he feel here?"

Being a woman writing a male character, I also had times where I checked in with my Resident Man Expert: AKA, my husband. For example, I had Torin crying over something and it didn't feel right. I asked my Resident Man Expert what a guy would do in that situation. His answer? Punch something! That explains why crying doesn't seem like a good choice here :)! Torin wouldn't cry, dangit, he'd punch the rock until his knuckles bled! (needless to say, my R.M.E. was extremely helpful. I highly recommend getting one if you don't have one already, or a Resident Lady Expert if you are a dude.)

I admit it's kind of weird that my characters show up in my head before I get to know them. I'm not sure how this works. For my new WIP, HOLLOW LAND, I knew that the main character had short, dyed fire engine red hair... but when I tried to name her she basically told me her name was Davida, and the name I'd chosen for her was nickname. Then she told me she's Jewish. Jewish? Great! Now, I'm going to have to research!

Sometimes these characters turn out to be more high maintenance than I bargained for, but who am I to complain? They are who they are.

Okay, now I'm worried that this post makes me sound insane.

How the heck do YOU come up with your characters? How do you get into their heads? Do you meet them first like I do and then let them unfold, or do you have a system I need to know about?

Don't miss the fabulous Kate tomorrow!

Fiction Friday: Work In Progress Wednesday's Slow-Moving Cousin

Yaaaay! I've accomplished things this week :).

They weren't the things I thought I'd accomplish, but I'm thrilled nonetheless.

Halfway through the week, I said "Screw you, LEGACY OF THE EMPRESS revisions. I want to work on my poor, neglected, work in progress, HOLLOW LAND!"

Let me tell you--nothing reinvigerates the writing mojo like working on something new. I'd forgotten how much fun that was to write new stuff instead of just rearranging old stuff.

I'm loving it! So far I've got 5,500 words (4% of a full manuscript, woot!), and have realized something that fired me up all over again.

The 5500 words don't suck so far. In fact, I'm rather proud, which is a new feeling for me when looking at a draft. Not horror, shame, or dejectedness. Pride.

This is such a far cry from my start on Legacy of the Empress, that I can already tell I'm improving as a writer. I think the rewriting pergatory I've been in has groomed me and helped me better understand plotting, pace, and how to get it in gear with a new story.

By the way, blog reader Scott's suggestions on the opening paragraphs I shared for HOLLOW LAND made it in, and the opening is already way stronger.

Thank you, Scott, and my other fabulous blog readers :)! I love it when you share tips and advice with me. As a writer community, I really feel that we all sharpen one another. Not only does that make us better individually, but it means we'll all have great stuff to read when all of our Works In Progress hit the shelves! So, thank you. Your commaraderie is invaluable!

Any updates from you this week? How did you do? Can we support you in any way?

Have a great weekend, and happy writing!

Teaser Tuesday: the beginning of my new WIP

Hi, guys!

I'm nervous, because this is from my rough draft, but here is the opening I have so far for my new manuscript, Hollow Land. It's a post-apocalyptic fantasy/soft scifi (not sure which yet). I'd love to hear what you guys think. Enjoy!

HOLLOW LAND:

In the beginning were the giants; corporations so large they grew until they thought they could touch the sun. We knew them by their moldy letterhead, blowing through empty rows in abandoned office buildings. We knew them by their burned out signs groaning as they swung in the wind. We knew them by the newspapers we found in the darkness of the underground, untouched by time. Nemue City sleeps, but it doesn’t forget. Someone has to be responsible.

My parents said it started almost 80 years ago. Our grandmothers and grandfathers started it with hope for protecting the city, the country, our little piece of the world. Nothing terrifies your enemies like disease—a weapon they cannot shield against until it is too late. The carriers they produced, the mutated rats, pigeons, and roaches chewed through their cages and clawed their way to freedom through a wall of their creators. That’s when Nemue began to die, but not everything was wiped out.

This is the beginning, but it is by no means the end. Perhaps, to give you an idea of what you’re up against, what waits for you, I should start at the beginning of my own story. Then you can decide for yourselves what choices you will make.